The politics and ramifications are twisted further when his Black captain initially discourages Terry from putting in a complaint in case it hurts his career. A mountain of a man who, inside, was softer than Scully’s paunch, Crews carried one of the first storylines that dealt with a “headline” issue: Terry is looking for a twin’s lost toy in the street and gets racially profiled by an aggressive and then unrepentant officer. Sergeant Terry (Terry Crews) was the father figure (and, of course, a devoted father to the twins Cagney and Lacey) trying to keep his unruly brood in line and safe. You could escape into their world and settle in to see what your proxy – and pleasingly functional – family were up to without any fear of being jolted out of it. The precinct’s antics might have been set in a heightened reality – and thank God, for that is what allowed us the extravagant delights of Gina (“a complete overlap of ego and id,” as one of the psychiatrist guests at a Raymond-Kevin party marvelled), Doug Judy and Adrian Pimento, of whom more later – but within it, there was never a moment when anyone acted inconsistently or merely in the service of a plot. Instead, she was only the target of Gina’s gags, and wasn’t everyone? Her fetish for ring-binders was a long-running joke, but like all Brooklyn Nine-Nine’s jokes – pulling off perhaps the hardest feat in comedy – it grew out of the character and her relationships with the rest of the squad. Melissa Fumero’s Amy Santiago could have been a straightforward nerd, an oppressive force at the precinct and the butt of every cooler character’s jokes.
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Melissa Fumero, left, as Amy Santiago and Stephanie Beatriz as Rosa Diaz.